Installing at swimming pools worldwide
see website for more details
The installation involved using three soundsystems simultaneously with different content played through each of the separate sound spaces, three layers of sound
These three sound systems presented a split-mix three-layer abstract mash up and sometimes acted as a three-way speaker system (Low – mid – hi).
/ Four speakers playing into the swimming pool hall space above the listeners. The content through the top layer merged with the natural acoustics of the room, using mainly low and low-mid frequencies, it sounded like a cloud of sound looming over the listeners.
// Four speakers on pool side floor playing directly to the listeners as they float on the water surface, the sounds piercing through the ‘sound cloud’ using content with mainly mid-high frequencies.
/// The underwater soundsystem, distinct from the content above the water, provided a separate space for augmenting the sound narrative above the water.
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A HISTORY OF SOUND ART
Arranged and composed by J Milo Taylor
Mixed by Joel Cahen
An engaging sound collage presenting an unique historical documentation of Sound Art from the early 20th century to present day. The composition weaves through different sound works throughout the century with narratives and ideas from some of the prominent artists in the field. A retrospective into the craft of sound and its development as an artistic practice, from Edison’s first sound film in 1895 to today, including the thoughts and concepts which served the basis for the creation of these works as spoken by the artists themselves.
The ‘Listening’ is generally accompanied by a programme which informs of the artists whose work and words are heard.
Zaher Lulu exhibition, Sha’ar 3 Gallery, Haifa, Israel | 22nd Sept – 5th Nov 2016
On the Edge of Perceptibility / Sound Art – International Sound Installation Exhibition in Budapest, 17th Oct. – 23rd Nov. 2014
All Tomorrows Parties, Butlins, Minehead, UK | 14 – 15 May 11
Vivid Gallery, Birmingham | 22-27 March 11
The Whitechapel Art Gallery | The Reading Room | 1 – 6 March 11
Phoenix Brighton | 3 March 11
Modern Art Oxford | Accompanied by a talk | 12 Feb 11
The Star and Shadow, Newcastle | 6 Feb 11
Bangor Museum | 25 – 28 Jan 11
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Video Audio work expanded from a live audiovisual installation at Terra Extremitas by Foolish People in NDSM Amsterdam Aug ’08
Format: DVD 1 – 4 channels
Large Projection/s stereo/quad sound
Also as a live performance with the video used as a backdrop
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Sound for three photographs by Charles Gatewood:: a 40 year photograhic retrospective
Presented by Switch Theatre and A’Rebours at Gallery 32, 32 Charlotte Rd, EC2A 3PB
3rd – 24th Oct 2008::
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Video: Julian Ronnefeldt
Audio: Joel Cahen
A large walkthru fabric structure with corridors, rooms and various items. The structure is flooded with several projectons from different directions creating a surreal montage which changes depending on your position in the space.
Accompanying the visual montage there is a surround sound audio collage.
NODE London at Area 10, London March 06;
T.R.O Berlin June 05;
Werkbeck, turmstrasse Berlin Oct 2005.
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Audio and Video matcher.
Radio plugged to PC. The user uses two dials on the radio to change the audio and video on the PC respectively. The videos are different to each other, excerpts of daily life. The audio pieces are very atmospheric short looping sections with accompanying familiar advert slogans. The different juxtapositions of the audio and video endows each piece with different meanings showing how our understanding of the visual is affected by its soundtrack and how the words and sound is informed by the visual.
[The video above is a recording of a random play, one of many combinations]
The Foundry London, as part of Kronstadt 2004 (in collaboration with Luna Nera)
Someth;ng Interactive Design Show in Hoxton 8th July 2004.
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INTERACTIVE SURROUND SOUND PROJECT (ISS)
The user navigates with a joystick through surround sound spaces. Game environments created using binaural mics, sound effects, original music and text.
The London Institute June 2004. In collaboration with Markus Quarta.
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THE DERELICT SENSATION
Two Sound installations at the gorgeous interiors of St Pancras, London.
• A classical music mash up – a collage of works of Wagner, Rahmaninov, Prokopfiev and Mahler.
Played back from two mono sources at either end of a long corridor
• A soundscape background music collage depicting Berlin 1933.
St. Pancras, Great Midland Hotel, 1-2 Nov. 2003.
Pangea & Luna Nera collaboration
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Photographic exhibition of semi abstract images which rely on movement of the camera and exposure and not what was seen through the viewfinder.
De Bolhoed, Amsterdam 2001
The Foundry, London 2001, 2002